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I’m pleased to present my second digital album, “Digital Medicine.” I’ll be adding new compositions just as soon as they are completed and recorded!

White Coat Composition is my third CD of original works for piano, but the first on which I have included vocal compositions. For a pair of these songs, I have been very fortunate to borrow the talents of two senior medical students, Geoffroy Sisk and Alexandra Kejner. My three wonderful children again have contributed as instrumentalists and I have also included one brief composition by my younger son, Ben.

I am proud to present Medical Records, my tenth album. For this project, I have had the honor of collaborating with two other pianist-composers who happen to work, as I do, at the University of Michigan Hospital: Errick Thomas and Daniel Cronin. It has been an absolute pleasure to work with these two talented musicians.

I’m pleased to present Measuring Up, my fifth album of original compositions for piano. The final two selections were composed by my younger son, Ben, who is well on his way to surpassing his father! It is dedicated to my own beloved father, Burril Fine, who died the morning before our final recording session. I cannot express adequately how much he will be missed.

It is a pleasure for me to introduce Spare Keys, the fourth in my series of CD’s of original compositions for piano. Once again, I have attempted to produce pieces in a variety of styles and it is my hope that everyone who listens will be able to find at least a few compositions to enjoy. My son, Ben, has contributed an exciting new piece entitled “Storm at Sea” and Ellie, my daughter, demonstrates her versatility by playing three instruments on “Beholding Three Eleanors.”

This is the final album of edited versions of some of my favorite compositions. It was difficult for me to choose among them, as each is special to me in some way! Often, I made the decisions based on my desire to present as many different compositional styles as possible. Sometimes, I excluded a longer piece in favor of two shorter pieces, just so I could share more compositions!

I have been composing piano music since I was six. My first piece was “Let’s Go to the Bakery,” which, unfortunately, was written a few months too late for me to have played it at Woodstock. Conversation Pieces is a compilation of some of my favorite pieces from the last few decades. So that I could share more of these “highlights” with you, I have edited most of the pieces.

I am pleased to present Wild Pitches, my sixth collection of original compositions for piano. This album differs from the first five in that I am the only pianist to perform, but I want Korin, Derek, Ellie, and Ben to know that I do forgive them for leaving me all alone this time. Although I had no pianist collaborators, I am grateful that I was able to borrow the great vocal talent of Joe Church for “Eclipse.”

This is the first of my albums that will be presented only on-line. I will be adding new pieces to it as they are composed and recorded. This new approach is very exciting for me. I can now share the pieces immediately upon completion; previously, I had to wait until I had completed all of the tracks on an album. That wasn’t easy!

It is my pleasure to share my 9th album of original compositions for piano, Sound Bites. How is this album different from the others? Well, the compositions are significantly longer, on average, than those on my previous albums and, for the first time, I have not included any pieces composed before I started producing studio albums ten years ago. Moreover, the studio has a new grand piano!