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I am pleased to present Wild Pitches, my sixth collection of original compositions for piano. This album differs from the first five in that I am the only pianist to perform, but I want Korin, Derek, Ellie, and Ben to know that I do forgive them for leaving me all alone this time. Although I had no pianist collaborators, I am grateful that I was able to borrow the great vocal talent of Joe Church for “Eclipse.”

It is a pleasure for me to introduce Chords on the Table, the eighth in my series of CD’s of original compositions for piano. With the exception of The Bones Song, all of the pieces were newly composed within the last six months or so (though I should mention that this CD does feature a greater emphasis on improvisation in the recording studio).

This is the first of my albums that will be presented only on-line. I will be adding new pieces to it as they are composed and recorded. This new approach is very exciting for me. I can now share the pieces immediately upon completion; previously, I had to wait until I had completed all of the tracks on an album. That wasn’t easy!

This is the final album of edited versions of some of my favorite compositions. It was difficult for me to choose among them, as each is special to me in some way! Often, I made the decisions based on my desire to present as many different compositional styles as possible. Sometimes, I excluded a longer piece in favor of two shorter pieces, just so I could share more compositions!

I am proud to present Medical Records, my tenth album. For this project, I have had the honor of collaborating with two other pianist-composers who happen to work, as I do, at the University of Michigan Hospital: Errick Thomas and Daniel Cronin. It has been an absolute pleasure to work with these two talented musicians.

This CD is a compilation of twenty piano pieces that I composed between 1972 (when I had a full head of hair but little insight into the human condition) and 2006 (when I had little of either). The various pieces that I have included represent many different periods of my life and serve for me as sweet reminders of people and places that remain very dear to me.

I have been composing piano music since I was six. My first piece was “Let’s Go to the Bakery,” which, unfortunately, was written a few months too late for me to have played it at Woodstock. Conversation Pieces is a compilation of some of my favorite pieces from the last few decades. So that I could share more of these “highlights” with you, I have edited most of the pieces.

I am proud to present Time Signatures, my seventh CD of original compositions for piano and the first on which I have no collaborators (perhaps I should use the term “co-conspirators”). It is dedicated to my wife, Karen, with my thanks for all of the encouragement and support she has given to me and my recording projects.

It took me almost 40 years from the time I first started composing piano music to produce a compilation on CD (Fine Tuning, 2006). Once I finally learned how to do it, I’m glad to say, I was able to complete this 2nd CD in a more expedient manner! Doctor’s Notes contains piano music in a variety of styles and it is my hope that everyone who listens will find some pieces to enjoy.

It is a pleasure for me to introduce Spare Keys, the fourth in my series of CD’s of original compositions for piano. Once again, I have attempted to produce pieces in a variety of styles and it is my hope that everyone who listens will be able to find at least a few compositions to enjoy. My son, Ben, has contributed an exciting new piece entitled “Storm at Sea” and Ellie, my daughter, demonstrates her versatility by playing three instruments on “Beholding Three Eleanors.”